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Syd Barrett The Madcap Laughs

For starters, a main course of music pscodelica nothing better than Syd Barrett to join us by way of experimentation to get lost in a deep forest full of poetry and the chaotic rhythms Once beautiful.

Syd Barrett with his first solo recording the legendary The Madcap Laughs that has so influenced to a large number of composers of the likes of Damon Albarn and John Frusciante.
A work in which emotions are felt and bordering on insanity characteristic of the figure of a crazy diamond.
Despite the different versions that have been given about his life, rough or ill, I prefer to think of an independent, withdrawn from a society that gave him fame. But fame was not for Syd Barrett and his music, and their world.
A be unhappy that little by little he consumed leaving behind unforgettable songs.


structure of the work:

1. Terrapin. Rhythmic composition, soft and acoustic. Compelling and great for starting a mystical album. The collaboration of Jerry Garcia is evident from the beginning of the first notes. The legendary Telecaster resonate with peak expression at 2 min or so.
2. No Good Trying. No Good Trying breaks the mold may have provided us Terrapin, a battery with three electric guitars playing in apparent lack of control but that convey an illogical order, authentic psychedelia. The sound of the very few unreality synthesized effects contribute to the composition of which gradually attenuated end leads us to the next song.
3. Love you. Child left behind the sounds referred to to demonstrate how, a beautiful lyric, a messy body and a rhythm guitar, can make a lovely work.
4. No Man's Land. Return to the main line of the album. A greater number of effects will be able to evade while babbling Barrett (with its characteristic tone) sentences with no apparent sense.
5. Dark Globe. Behold the true Syd. Pure, heartbreaking and sad but very English. Reach the deepest hearts.
6. Here I go. With a touch of rock and roll, or blues, Ecuador marks the disk. Return to a monotonous pace suitable for reflection, The piece offers some pause for breath since then. come one of the most spectacular parts of the album Octopus.
7. Octopus. Perfectly built, from start to finish emotions to the surface roam around us. The unmistakable vocal resonance frantically Syd refuses to yield to the rhythm of the music. The listener to pursue his voice to reach trying not to get lost in a range of sounds.
8. Golden Hair. The harmony of the whole work is grouped into Golden Hair. The impression is characterized by great way to silence the cymbals together to bring subtlety and intimacy choir (a poem by James Joyce).
9. Long Gone. Can be regarded as sound then Golden Hair. Very beautiful voices of the two overlapping Barrett.
10. She Took a Long Cold Look . A return to the origins of the disc, you can appreciate the purity, it seems (probably would have been) made just minutes before being recorded.
11. Fell . A composition if not for their originality shines if you do it by being totally spontaneous. Psychedelia at its best shows.
12. If It's in You . Rarity. The very inclusion of the song to disk, and is enigmatic.
13. Late Night . The culmination in the form of a beautiful soft ballad that will bring us back to reality and leave us an immense sense of nostalgia. The sharp guitar with the Fender say goodbye Syd completed a dramatic silence.

My conclusion is that behind the apparent madness of a rough character is a high quality work that deserves to be in the music library of any music lover. Syd Barrett can claim at least be unique and true to its genre something that has always been difficult to achieve. Enjoy.