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Syd Barrett Barrett

The second and final jewel of the legendary Syd Barrett had the pleasure of offering.

While it is certainly different from an album The Madcap Laugh s , despite being released seven months later possesses indisputable essence, that air psychedelic at once so bright that chaotic.

The main difference with the previous work is in its development, ie, while The Madcap Laugh s is spontaneous, pure and devoid of too many arrangements, Barrett is a hard care, worked and with higher quality instruments.

Totally discreet in terms of sales (how could it be otherwise) has been left to the memory of many, like myself, consider it an essential work not only within small Syd discography but also for the acid rock genre.

We can not forget the cover. A cover that adventure a stranger lp, authentic and honest.

An album that many consider to close earlier as a simple sketch, but after they heard us very pleasantly surprised.

structure of the work:

1. Baby Lemonde. A real gem of the best compositions of its author. It is a soft ballad accompanied by a high-quality instrumentation (David Gilmour and Rick Wright). The soft sound at the beginning of the piece and its subsequent decline to the tune bring some mystery, which will break into the second 40, when the whole group comes into play. Perfect for the beginning of the record because we will look forward to unveiling the next song.
2. Love song. A delight. Perfect for depressive moods. The bass work is excellent along the gentle piano and rhythm guitar. Amorous and charming, certainly lives up to its title.
3. Dominoes. Strange, Syd Barrett returns to show his darker side. His more gloomy intimately composed a letter last though somewhat abstract. Draws attention as Barret includes the recording of a guitar upside down, a technique used by many contemporary bands of its time.
4. It Is Obvious. In It Is Obvious there is a return to the origins of the disc. Stresses Rick Wright's keyboard much like that used by the same musician on the album Atom Heart Mother and A Saucerful of Secrets . Beautiful and fun.
5. Rats. Fully remind us the previous work The Madcap Laugh s. The battery is trying by all means catch the rhythm of electrical tap Barrett while creating some very experimental music game so that the listener gets to experience the very cadence.
6. Maisie. Barrett is not intended to give a lesson in blues with this song, just include it in his pioneering work keeping in mind the origins of his style. Good work on.
7. Gigolo Aunt. A masterpiece. Personally I consider it one of the best compositions of Syd. Brilliant in every way. Psychedelia is present from beginning to end. His poetry and sensations tangled transmitted to be heard makes it a timeless work.
8. Waving My Arms In The Air. We are clearly in the best fraction of the lp. If you already left us wondering now Gigolo Aunt Waving My Arms In The Air we rise to the top of the senses. Deserves to be heard on moments of reflection or evasion.
9. I Never Lied to You. Continued Waving My Arms in the Air. This succession TECINA used both Pink Floyd (his former band) is unusual on the contrary Barrett.
10. Wined and Dined. Deep, there's something about her that makes him a mysterious song. It is used for the first time effects of guitars and keyboards providing an air envelope synthesized
11. Wolfpack. Just when we thought the sound had evolved back to the origins and therefore the genuine purity of Syd. The voice depressive melody revolves around a bit.
12. Effervescing Elephant. Finally, in the wake of Wolfpack comes Effervescing elegant Elephant song that marks the end of the disc. We remember songs like bike. A good outcome for a hard copy.

Many discs, despite having an exceptional quality have been admired. Barrett transited from going completely unnoticed stores hidden perhaps for other bands like The Beatles or Pink Floyd. Barrett anyway does not deserve to be forgotten, because their compositions are enigmatic the best example of psychedelia that has been and will be throughout history.

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Syd Barrett The Madcap Laughs

For starters, a main course of music pscodelica nothing better than Syd Barrett to join us by way of experimentation to get lost in a deep forest full of poetry and the chaotic rhythms Once beautiful.

Syd Barrett with his first solo recording the legendary The Madcap Laughs that has so influenced to a large number of composers of the likes of Damon Albarn and John Frusciante.
A work in which emotions are felt and bordering on insanity characteristic of the figure of a crazy diamond.
Despite the different versions that have been given about his life, rough or ill, I prefer to think of an independent, withdrawn from a society that gave him fame. But fame was not for Syd Barrett and his music, and their world.
A be unhappy that little by little he consumed leaving behind unforgettable songs.


structure of the work:

1. Terrapin. Rhythmic composition, soft and acoustic. Compelling and great for starting a mystical album. The collaboration of Jerry Garcia is evident from the beginning of the first notes. The legendary Telecaster resonate with peak expression at 2 min or so.
2. No Good Trying. No Good Trying breaks the mold may have provided us Terrapin, a battery with three electric guitars playing in apparent lack of control but that convey an illogical order, authentic psychedelia. The sound of the very few unreality synthesized effects contribute to the composition of which gradually attenuated end leads us to the next song.
3. Love you. Child left behind the sounds referred to to demonstrate how, a beautiful lyric, a messy body and a rhythm guitar, can make a lovely work.
4. No Man's Land. Return to the main line of the album. A greater number of effects will be able to evade while babbling Barrett (with its characteristic tone) sentences with no apparent sense.
5. Dark Globe. Behold the true Syd. Pure, heartbreaking and sad but very English. Reach the deepest hearts.
6. Here I go. With a touch of rock and roll, or blues, Ecuador marks the disk. Return to a monotonous pace suitable for reflection, The piece offers some pause for breath since then. come one of the most spectacular parts of the album Octopus.
7. Octopus. Perfectly built, from start to finish emotions to the surface roam around us. The unmistakable vocal resonance frantically Syd refuses to yield to the rhythm of the music. The listener to pursue his voice to reach trying not to get lost in a range of sounds.
8. Golden Hair. The harmony of the whole work is grouped into Golden Hair. The impression is characterized by great way to silence the cymbals together to bring subtlety and intimacy choir (a poem by James Joyce).
9. Long Gone. Can be regarded as sound then Golden Hair. Very beautiful voices of the two overlapping Barrett.
10. She Took a Long Cold Look . A return to the origins of the disc, you can appreciate the purity, it seems (probably would have been) made just minutes before being recorded.
11. Fell . A composition if not for their originality shines if you do it by being totally spontaneous. Psychedelia at its best shows.
12. If It's in You . Rarity. The very inclusion of the song to disk, and is enigmatic.
13. Late Night . The culmination in the form of a beautiful soft ballad that will bring us back to reality and leave us an immense sense of nostalgia. The sharp guitar with the Fender say goodbye Syd completed a dramatic silence.

My conclusion is that behind the apparent madness of a rough character is a high quality work that deserves to be in the music library of any music lover. Syd Barrett can claim at least be unique and true to its genre something that has always been difficult to achieve. Enjoy.